Assistant editors
Reduce take-by-take retime setup on slow-motion clips.
Automated retime effect handling
Slow-motion and mixed-frame-rate workflows require consistent frame-rate math across every clip. Developing Tank reduces clip-by-clip retime setup by reading source metadata, applying the target project frame rate, and generating reviewable outputs.
Result: More clip-by-clip setup and higher review risk.
Result: Retime setup drops from manual clip work to a repeatable metadata-based pass.
AVB or AAF files with offspeed metadata
Detect offspeed clips, apply retime effects, create subclips
Retimed subclips + motion effects + organized bins
Reduce take-by-take retime setup on slow-motion clips.
Start cutting with prepared retime clips and less waiting on setup.
Receive sequences with retimed subclips already separated. No hunting through bins for manually-created retime clips.
The automated process
Upload your dailies in Avid bin or AAF format. Developing Tank detects slow-motion media, applies retime effects consistent with your project frame rate, and generates subclips ready for editorial review.
Frame-rate math that's deterministic and verifiable, not hand-calculated and error-prone.
Retime subclips are automatically separated and categorized for editorial workflow.
Support multiple cameras by stacking all cameras in one sequence along with any external audio to be synced and grouped.
Retime workflow
Offspeed clips show up every day: high speed, mixed rates, pickups, and variable camera settings. The hard part is not the effect itself. It is the consistency.
Developing Tank applies the same logic every time: detect offspeed from source metadata, apply your project’s target frame rate, then generate ready-to-cut subclips with a verifiable conversion path.
Supported conversions depend on the source frame rate and the target project frame rate. The workflow handles common offspeed sources, including 48, 60, 120, 240, and 480 fps media.
It does not sync audio for you. It can place external audio and motion-effect clips into a sequence so your team can sync and review them.
Yes. It turns motion-effect clips into organized subclips for review.
Yes. Instead of hand-calculating and entering timewarps for each clip, upload your dailies and we apply the effects automatically based on metadata.
Both. The free tool handles up to 5 AAF files at a time. Members can batch-process larger sets by uploading a single Avid bin or multiple AAF files.