Assistant Editors
Eliminate take-by-take retime setup on every slow-motion clip. Your dailies prep drops from hours to minutes.
Automated retime effect handling
Slow-motion and mixed-frame-rate workflows have one universal truth: retime work is incredibly easy to get wrong and astronomically time-consuming. Developing Tank automates your retime-oriented tasks, ensuring perfect accuracy every time.
Result: 2–3 hours per dailies cycle, zero guarantee of accuracy.
Result: 10 minutes. Perfect accuracy. Every time.
AVB or AAF files with offspeed metadata
Detect offspeed clips, apply retime effects, create subclips
Retimed subclips + motion effects + organized bins
Eliminate take-by-take retime setup on every slow-motion clip. Your dailies prep drops from hours to minutes.
Start cutting with ready-to-edit clips. No waiting weeks for retime setup on shots from yesterday's dailies.
Receive sequences with retimed subclips already separated. No hunting through bins for manually-created retime clips.
The automated process
Upload your dailies in Avid bin or AAF format. Developing Tank automatically detects slow-motion materials, applies retime effects consistent with your project frame rate, and generates subclips ready for editorial. What once took hours of manual setup now takes minutes—with verifiable accuracy every time.
Frame-rate math that's deterministic and verifiable, not hand-calculated and error-prone.
Retime subclips are automatically separated and categorized for editorial workflow.
Support multiple cameras by stacking all cameras in one sequence along with any external audio to be synced and grouped.
Retime workflow
Offspeed clips show up every day — high speed, mixed rates, quick pickups, and variable camera settings. The hard part is not the effect itself; it’s the consistency.
Developing Tank applies the same logic every time: detect offspeed from source metadata, apply your project’s target frame rate, then generate ready-to-cut subclips with a verifiable conversion path.
We support any conversion from 24fps to over 480fps, including slow-motion (24→60fps), high-speed (120→24fps), and custom frame rates supported.
While we manually can't sync the audio, we will match your external audio and motion effects and place them in a sequence to by synced.
Yes. Yes it will take the motion effect clip and turn it into subclips
Yes. Instead of hand-calculating and entering timewarps for each clip, upload your dailies and we apply the effects automatically based on metadata.
Both. The free tool handles up to 5 AAF files at a time. Members can batch-process 100+ clips by uploading a signle Avid Bin or 50 clips by uploading them as AAF files.