Assistant editors
Skip hours of manual bin organization. Spend your time checking footage, sync, and editorial readiness.
Automated film dailies prep
Upload supported dailies files and let Developing Tank build scene bins, organize takes, flag offspeed footage, apply retime setup, and prepare the metadata foundation your downstream VFX and paperwork workflows depend on.
Skip hours of manual bin organization. Spend your time checking footage, sync, and editorial readiness.
Start cutting sooner. Bins are organized by scene, multicam groups are ready, and offspeed clips have retimes applied. Your remaining review work is focused on editorial judgment, not repetitive setup.
Enforce consistent metadata standards and dailies organization across episodes. Same bin structure, same naming, every day.
Manual dailies management vs. automation
Without automation, assistants spend 2 - 3 hours each day creating scene bins manually, sorting clips, organizing post-production metadata, grouping cameras, and preparing retime effects. Your team can't start cutting until the bins are ready. Developing Tank automates that entire workflow: upload your dailies files, review organization, download organized bins. Done before editorial arrives.
Avid dailies prep workflow
Dailies prep is the repeatable setup work that turns camera and editorial files into usable Avid bins. On a manual workflow, an assistant editor checks metadata, sorts takes into scene bins, verifies takes, identifies offspeed clips, applies retimes, and groups multicam material before the editor can begin. Developing Tank is built to handle that mechanical organization while leaving review decisions in human hands.
The goal is not to hide the work. The goal is to make the work inspectable: upload the supported dailies files, let the system build the expected structure, review the results, then use the organized output in the edit. That makes dailies automation useful for assistant editors searching for scene bin creation, Avid bin organization, offspeed retime setup, or post-production metadata cleanup.
Use Avid AVB, AAF, and ALE-style metadata where available. The strongest results come from consistent scene, take, camera, timecode, and frame-rate metadata.
Generate organized scene bins, multicam grouping prep, offspeed retime setup, and clean metadata that can feed VFX tracking, continuity reports, and later sequence comparisons.
Automation can prepare the bins, but assistants should still review missing metadata, unusual camera setups, timecode problems, and show-specific naming rules before handoff.
No. It removes repeatable setup work so the assistant can spend time checking footage, metadata, sync, and editorial readiness.
Yes. Scene, setup, take, camera, timecode, and frame-rate metadata are the foundation for automated scene bin creation and dailies organization.
The workflow is strongest when metadata is consistent. When source data is incomplete, the review step helps identify what needs human cleanup.