Assistant editors
Catch changes from uploaded sequences instead of reviewing cuts by eye. Generate reports for editorial, post supervisors, and vendors.
Change tracking and continuity reporting
Instead of manually comparing cuts and updating reports, Developing Tank analyzes two sequence versions and generates continuity reports showing what changed: added scenes, deleted shots, timing shifts, and reorders. Your team reviews findings before handoff to vendors.
Catch changes from uploaded sequences instead of reviewing cuts by eye. Generate reports for editorial, post supervisors, and vendors.
Track what changed across cuts. Make informed decisions about approvals, turnovers, music fixes, and graphics updates with real data.
Share accurate continuity, music cue sheets, and marker data from the same source.
Two sequence versions (AVB / AAF / EDL)
Compare cuts, detect changes, categorize additions/deletions/shifts
Continuity reports (PDF/CSV) + omissions + cue sheets
Next step: VFX tracking See how to keep VFX tracking current while generating continuity reports .
Sequence comparison to paperwork
Upload two sequence versions. Developing Tank identifies additions, deletions, timing shifts, and reorders, then organizes the findings for review before vendor handoff.
Track what changed between versions and prepare reviewable data for editorial and production.
Use current sequence and tracker data to keep shot handoff paperwork aligned with the cut.
Centralize report generation so recurring paperwork starts from structured project data.
Capture notes and locators in a format that can move between editorial review and reports.
Keep a structured editor's log of sequence versions, changes reviewed, and decisions made. Export it alongside your continuity and omission reports.
Generate production progress reports directly from sequence data and VFX tracking status, not from a manually maintained spreadsheet.
Report types
Compare sequence versions and produce a reviewable continuity report showing additions, removals, timing shifts, and reordered material before editorial or vendor handoff.
Turn cut differences into structured change notes so assistants and post supervisors can review what moved, what changed length, and what needs follow-up.
Use structured sequence and project data as the foundation for cue-sheet exports instead of recreating recurring music paperwork from scratch each time.
Keep marker and locator notes connected to the project database, then export them for editorial review, production communication, and downstream reporting.
Connect current sequence data with VFX tracking so rundowns and shot handoff paperwork stay aligned with the latest cut.
Use one source of truth for documents that are usually maintained separately: continuity, VFX rundowns, cue sheets, and progress reports.
Maintain a structured editor's log tied to each sequence version. Export a reviewable record without maintaining a separate document by hand.
Pull progress report data from VFX tracking status, sequence versions, and cut history.